Discussion of the Film Vagabonde by Agnes Varda

Vagabonde possesses many themes which when viewed on the surface are most invisible. However, when a closer post-mortem expression of analysis is adopted they concisely become clear and much distinguished. The themes included in this delineation are Mystery, Jealousy, devastation, Independence and ultimately, Tragedy. We receive the themes develop in former of us individually as the cinema progresses, exclusively as the viewer, we only become conscious(predicate) of the super-structure by the end of the record. We slam from the start that ultimately the travel ends in tragedy still are curious as to why this woman is guile dead in a ditch.\n\nThe two themes: Tragedy and Mystery, contract together in the film. The film opens with an protrude of a issue girl guile in a ditch cover in mud. This image is visually shocking and instantly provokes a reception from the viewer. The reaction essential vary from mortal to person but ultimately it creates wonder and sympa thy. The director invites the audience to take part in uncovering of the mystery story surrounding the life of a dead woman. On the surface, Vagabonde is a deceptively simple story. The film opens with the image of a cold female corpse and a narrator (Varda) tells the audience that what follows are interviews with the people who knew her in the dying weeks of her life. Through interviews and flashbacks the viewer learns how this teenage woman ended up in a ditch, but not why she started her sole(a) journey. The films main concern is the reaction of people to the drifter, not her psychology. Varda uses opposite peoples memories to construct an image of the drifter. Loneliness is communicated instantly by the virtuous fact that this woman is lying alone with no possessions in a small colony and no one knows her. If she was a resident she would be recognised and if she was from a family out of town, thus surely she would have about belongings with her. It is Vardas blueprin t to portray this tragic image of isolation. The structure of the film is support by the way in which the story develops, i.e. through a series of interviews and documentary quality monologues.\n\nFrom the outset, Varda establishes that she is using the accounts of witnesses to build a portrait of Mona, but as the film progresses it becomes evident that these interviews go more...If you want to get a full essay, order it on our website:

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