William Shakespeare’s tragedy Othello is a polysemic and subjective play of the Elizabethan era that focuses on concerns of racial, gender stereotypes and the power of green-eyed monster whilst beingness open to limitless interpretations. As a 17th hundred text it encompasses the racial divide and patriarchal values of its zeitgeist, discover focusing the plot on the common and ageless issues of jealousy and passion. It is this enduring nature of the text that allows my view to be augment through a range of contemporary issues and interpretations whilst deviating from the views and stereotypes of its era. Although the play Othello encompasses the expiry and values of its zeitgeist, its plot follows that of the Aristolean Model of Tragedy, focusing on the ordinary concern of the power of the flaw of jealousy and its ability to aver even the most statelyst of people. This is seen in the initial characterization of Othello as both dignified and assertive, with V enetians imparting their positive view of him in the moor is far more fair than black and “my statuesque Moor is true of mind”. However, it is a condition in all Shakespearean tragedies for the protagonist no matter their framing to possess a hamartia that will lead to a fatal error in judgment.
Othello’s hamartia is his jealousy, infixed out of his insecurities in relation to Desdemona and accentuated by the machinations of Iago. His insecurities existenceifest themselves from his late subaquatic doubts that Desdemona could love him as a black man and that she fell, “in love with what she feared to look on”. In a mon! ologue Shakespeare uses dramatic irony to reveal that Iago’s penalize on Othello is to ultimately produce a “jealousy so sloshed… judgment cannot cure.” The symbol of the handkerchief and Iago’s function of its inwardness is a prime mover in Othello’s peripety from absolute faith in Desdemona to the indecision of, “I view my wife be...If you want to get a unspoilt essay, ramble it on our website: OrderCustomPaper.com
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