The violins tuning without a care in the first few moments, the slow mock continuo of the highly dissonant bassoon counterpoint, and the later high pitch of a clarinet entirely seem to be broad, bold strokes on a sail of sound. Ideas come floating to the front of the imaginary "stage", and devolve back behind newer themes. The percussion also adds considerably to the complexity of the piece in the later minutes, stomping along without any extol for the classical violin or ...If you want to get a full essay, order it on our website: Ordercustompaper.com
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