Byzantine Art: The Transfiguration of Christ Mosaic in Saint Catherine's Monastery

Early saviourian machination was highly influenced by phantasmal, political, and cultural changes. In contrast to the classical, idealistic portrayal of man, Early Christian contrivance took a much more stylized approach to the image of man, with a neglected attention to human anatomy. The subject event of much of the art turned from lay to spectral; Christianity to be more specific. Constantine was the last emperor of the Roman Empire to take prisoner undivided power. Under his rule, Constantine created the social club of Milan, granting religious tolerance to exclusively religions. This was of particular importance to Christians, who had been previously persecuted due to their spiritual beliefs. Because of the Edict of Milan, many Christian buildings were erected in addition to the many secular buildings that were trans geted into Christian buildings. These buildings housed countless numbers of priceless religious artworks. One such example is the Transfiguration of Christ arial mosaic located in Saint Catherines Monastery in Sinai, Egypt.

When Constantine moved the jacket of the Roman Empire to Byzantium, which he renamed Constantinople (modern day Istanbul), the Empire separated. Upon the component of the Roman Empire, Justinian, The Last Roman Emperor, held power over the easterly Roman Empire from 527 to 565. Justinian was both a political and religious leader. Under his reign, many Christian buildings were constructed.



Justinian often associated himself with Jesus Christ in the Byzantine artworks that these Christian buildings housed as a form of propaganda. The Orthodox Church now recognizes Justinian as a saint.

Byzantine is a term used to describe eastern Mediterranean art from 330 to 1453, when the Turks conquered Constantinople (Strickland, 1992, p. 24). Mosaics were one of the most common forms of art during this period. They were intended to advertize the Christian creed through their religious subject be (Strickland, 1992, p. 25). Byzantine mosaics...

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